I always found writing music reviews to be a funny subject. They're really only a snapshot of how much I enjoy the album in question at that time, and really aren't a solid representation of the lasting merits of the music. There are tons of albums, bands, and hell, even entire genres of music that I once hated, but learned to love or vice versa. My musical tastes and preferences are always shifting around, slithering and sliding through different phases and branching out into different genres and styles.
Because of the dynamic nature of my tastes, I really feel like piecing together my Best of 2012 list is something done in vain, because I really don't feel the same way about those same albums now. Some albums take a little while to get old and repetitive, while others grow on me more and more as time goes on. Here's a few of the albums I've looked at last year, and how I feel about them now.
Foxy Shazam - The Church of Rock and Roll
This album didn't age too well over the months since I first heard it. I found that it kind of broke down into two components, much like a mixture of oil and water where the lead single of the album is really the only track that has a lasting impression on me, rising above all of the filler content.
"I Like It" is a fucking amazing track. It's groovy, it's fun, and you can't not dance listening to it. Sure, it isn't the classiest or most politically correct song ever written, but if you toss it on, I'll be screaming along and air guitaring the entire time. I kind of wish the rest of the album had this kind of staying power, but most of the other songs kind of fall to the background because of their lack of reckless energy. I fell in love with Foxy Shazam through their self-titled album, a no holds barred slab of Queen worship, filled with arena rock anthem after arena rock anthem. They're a band known to be a bottomless pit of over-the-top intensity, not giving a flying fuck about what anyone else thought. They were supposed to be The Casualties meets Queen, but The Church of Rock and Roll really feels like a half-assed attempt at just that.
Converge - All We Love We Leave Behind
This was my number one album of last year. I crowned All We Love We Leave Behind as the best piece of music of 2012. I know what you're thinking, you're expecting me to regret giving this album such a title. You're expecting me to say how much I hate this album now, but the joke's on you. I still freaking love this album. Not only that, but Converge kicked off my love of hardcore, deepened my love of grindcore, and catalyzed my love of powerviolence, and every other kind of noisy, chaotic, make-your-ears-bleed shit I listen to now.
I honestly believe jumping down this hardcore rabbit hole has made me a better person since last year, and as I dig deeper through all the local and underground scenes I've found this music and culture to make me a more motivated, open-minded, easy-going, humble, and generally happier person. So while my position on All We Love We Leave Behind's musical content hasn't changed, this album's emotional force has proven to be much more powerful than I ever thought before.
Jason James & Rodney Hazard - Pyramids in Stereo
Maybe you remember my review of this album, and maybe you don't. Essentially, it boiled down to the fact that this was the album that should have shown up on my Best of 2012 list, and it didn't only because I listened to it after I had published my list. The reason Pyramids is on this list because three months later, I still firmly believe it's one of 2012's best. I jam this album easily two or three times a week, and I kick myself in the ass daily for not having listened to it earlier last year.
I consider it one of my favorite hip-hop albums (just behind Childish Gambino's Camp, Wu-Tang Clan's 36 Chambers, and Kanye West's My Beautiful Dark Twisted Fantasy), and ever since discovering Jason James' weekly column for RefinedHype called This Is My Rifle, I only find that I dig it more and more.
So there you go, some of what I called 2012's best, and where I stand on them now. Are there any albums in 2012 that you feel totally different about now? How about albums that have taken on new meanings since you first heard them? Let me know, I'd love to hear it!
That's all for now, folks!
-Grave Dave
Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts
Thursday, March 28, 2013
Wednesday, December 12, 2012
Gupta's Top 10 Albums of 2012
Posted by
Unknown
Well, here we are. The end of 2012. I think I've listened to more music this year than I ever have in the rest of my life. I've expanded my tastes a lot, tried tons of new and different styles and genres, and I like to think that all of this has made me a better person today than I was on January 1st, 2012. I'll save all the sappy stuff for later, so without further ado, here are my top 10 albums of 2012. For once, this list is actually in ascending order of favorites.
What can I say? Foxy Shazam hit hard this year with great rock anthems that sound equally at home in a sold out arena as well as in a sold out small, dingy, intimate venue. Definitely a throwback to bands like Queen, Foxy Shazam definitely crank out one of the most fun and addictive albums this year.
Listen: I Like It
This album. This. Album. Despite only having access to it for less than a year, now it's definitely become one of my favorite rap albums, ever. It's challenging, progressive, and noisy, but despite all of the experimental sounds and beats, songs can't help but to get stuck in your head. Hip-hop, trip-hop, experimental avant-garde progressive post-rap: call it what you will, Death Grips delivers a sonic experience quite unlike anything else.
Listen: The Fever (Aye Aye)
Rush dropped their 20th album this year, and by god, isn't it just something. Sounding somewhat like a return to form to their hard-hitting prog rock from their pre-synth rock days, Clockwork Angels tells a magnificent and world-spanning story, and the music definitely fits the bombastic and grandiose setting. This is definitely my favorite Rush album since 1981's Moving Pictures. Review here.
Listen: Headlong Flight
Considering 2012 was the year I was introduced, learned to tolerate, and then learned to love grindcore with all of my blackened, icy heart, it only makes sense that grind godfathers and extreme music heavyweights Napalm Death make this list. Politically charged and ready to maul your face off, Utilitarian is a tidal wave of distorted guitars, blaring drums and barked vocals. Not for the faint of heart. Review here.
Listen: Errors in the Signals
A genre like jazzy instrumental hip-hop sounds like a weird idea at first glance, but trust me, it works. Canadians (woo!) BadBadNotGood dish out a ton of different sounds, tones, and feelings on BBNG2, all of which are loved by this guy right here.
Listen: UWM (Feat. Leland Whitty)
Blends of jazz and metal have been around since about 1993, when Cynic released their amazing debut Focus, but since then, metal has really only taken cues from the technical and avant-garde side of the genre. DSO swings over to the other end of the spectrum and plays, well... swing jazz. Perfectly moshable as it is danceable, Pandora's Piñata is easily one of the most refreshing releases this year. Review here.
Listen: Voodoo Mon Amour
Speaking of refreshing releases, Silent Machine is not only refreshing, but innovative as well. Mixing nu-metal, djent, funk, latin fusion and reggae? That kind of stunt was unheard of before this. Maybe a comedy musician like Weird Al would've attempted it, but I assure you, Twelve Foot Ninja not only attempts it, but shows you it can be done well. I still have no idea how I found out about this band, but all I know is that I'm glad I did. Review here.
Listen: Coming for You
Listen: I
Review here.
Listen: Burning Palm
Atop the pedestal titled "Best Album of 2012" stands Converge. All We Love We Leave Behind just hit all the right spots for me. It was chaotic, challenging, extreme, emotional, melodic and everything else in between. Listening to this album is like feeling every emotion ever, at the same time. It's a giant whirlwind of love, hate, despair, and empowerment. It's a complete sensory overload; a feast for those who love to feel. My raving review can be found here.
So that's it. My top 10 favorite albums from 2012. I guarantee that now that this list has been published, I guarantee I'll find like, a shit ton of albums that I think are way better than every single album on this list. Whatever. That's the way the music reviewing world works. What were your favorite albums of 2012? Let me know down in the comments section or on Facebook. I'm really interested to see what everyone else has been listening to this year!
That's all for now, folks! Happy politically correct non-denominational December holidays!
-DG
#10: Foxy Shazam - The Church of Rock and Roll
What can I say? Foxy Shazam hit hard this year with great rock anthems that sound equally at home in a sold out arena as well as in a sold out small, dingy, intimate venue. Definitely a throwback to bands like Queen, Foxy Shazam definitely crank out one of the most fun and addictive albums this year.
Listen: I Like It
#9: Death Grips - The Money Store
Listen: The Fever (Aye Aye)
#8: Rush - Clockwork Angels
Rush dropped their 20th album this year, and by god, isn't it just something. Sounding somewhat like a return to form to their hard-hitting prog rock from their pre-synth rock days, Clockwork Angels tells a magnificent and world-spanning story, and the music definitely fits the bombastic and grandiose setting. This is definitely my favorite Rush album since 1981's Moving Pictures. Review here.
Listen: Headlong Flight
#7: Napalm Death - Utilitarian
Considering 2012 was the year I was introduced, learned to tolerate, and then learned to love grindcore with all of my blackened, icy heart, it only makes sense that grind godfathers and extreme music heavyweights Napalm Death make this list. Politically charged and ready to maul your face off, Utilitarian is a tidal wave of distorted guitars, blaring drums and barked vocals. Not for the faint of heart. Review here.
Listen: Errors in the Signals
#6: BadBadNotGood - BBNG2
A genre like jazzy instrumental hip-hop sounds like a weird idea at first glance, but trust me, it works. Canadians (woo!) BadBadNotGood dish out a ton of different sounds, tones, and feelings on BBNG2, all of which are loved by this guy right here.
Listen: UWM (Feat. Leland Whitty)
#5: Diablo Swing Orchestra - Pandora's Piñata
Listen: Voodoo Mon Amour
#4: Twelve Foot Ninja - Silent Machine
Speaking of refreshing releases, Silent Machine is not only refreshing, but innovative as well. Mixing nu-metal, djent, funk, latin fusion and reggae? That kind of stunt was unheard of before this. Maybe a comedy musician like Weird Al would've attempted it, but I assure you, Twelve Foot Ninja not only attempts it, but shows you it can be done well. I still have no idea how I found out about this band, but all I know is that I'm glad I did. Review here.
Listen: Coming for You
#3: Dawnbringer - Into the Lair of the Sun God
Old school heavy metal (a la Iron Maiden) meets modern day vest metal (a la Valient Thorr) in sound with a scope the size of a 70s prog rock epic (a la 2112-era Rush). No uber-technical playing, no blistering speed and aggression, just nine perfectly executed tracks. Sun God is something you can just toss on to headbang and air guitar to, but the fist-pumping metal is simply a medium for an incredibly intricate story to be told. Review here.Listen: I
#2: Pig Destroyer - Book Burner
"This then, this is libel, slander, deformation of character. This is a prolonged insult, a gob of spit in the face of art. A kick in the pants to God, man, destiny, time, love, beauty, what you will. I'm going to sing for you. A little off key perhaps, but I will sing. I will sing while you croak. I will dance on your dirty corpse."Review here.
Listen: Burning Palm
#1: Converge - All We Love We Leave Behind
So that's it. My top 10 favorite albums from 2012. I guarantee that now that this list has been published, I guarantee I'll find like, a shit ton of albums that I think are way better than every single album on this list. Whatever. That's the way the music reviewing world works. What were your favorite albums of 2012? Let me know down in the comments section or on Facebook. I'm really interested to see what everyone else has been listening to this year!
That's all for now, folks! Happy politically correct non-denominational December holidays!
-DG
Saturday, August 25, 2012
Fan Expo 2012
Posted by
Unknown
So Fan Expo rocked. Again. I wouldn't say it topped last year, but that might've just been because last year was my first year there, so everything was all shiny and new to me. I feel like if I type the majority of this, it'll be a long as shit post. So, here are the pictures I took:
I think it was time and money well spent. I'm definitely going next year too. My friends and I are already have Scott Pilgrim vs. The World themed group costumes in mind!
That's all for now, folks!
| My friend Tracy and her lil' bro. Tracy is dressed as Alex DeLarge of A Clockwork Orange |
| This kid's parents dressed their kid up as Deadpool. Complete with schizophrenic text box and Headpool. Best parents ever. |
| Iron Man Deadmau5 and Ghetto Stormtrooper |
| Myself, partying hard (sans wig). |
| Kickin' it old school with the Ghettotrooper. |
| Finn the Human! I saw a couple Fionnas, but I didn't have the opportunity to ask them for photos. |
| The goddamned Batman. He's the only one who knew what my costume was. |
| Team Fortress 2 Medic! |
| Even partiers need healing sometimes. |
| 1970s era Battlestar Galactica Cylon. |
| Professor Oak! |
| King Baratheon from Game of Thrones and my buddy Jake. |
| Ian wanted this sword. It cost $1500. |
| Miss. Fucking. Frizzle. Bitches. |
| One of a kajillion Bane costumes. At least this guy was both bald and built. |
| Caprica Six from the new Battlestar Galactica! |
| Tracy bustin' out a pose. |
| The guardian of Asgaard! |
| We all went to Hooters for lunch (because we're classy fucks). We saw the Doctor there. We also met him last year too. |
| Jake and the Doctor circa 2011. |
| The first other Alex DeLarge costume! She even had her own maskie. |
| Aaron wanted a picture with the Delorean. |
| A really well done Silk Spectre costume. |
| Rorschach hits the gritty underworld of the beach! |
| A bunch of wicked DC costumes. |
| A bunch of not as wicked DC costumes. |
| When I first saw her, I thought she was just another furry, but then I saw the flaming disc on her back. She's Okami Amateratsu! |
| BSG DVD signed by Jamie Bamber :D |
| Planet Terror poster signed by the one and only Rose McGowan (<3). The other signature is Tom Savini's from 2011. |
| The complete Zombie Jesus comic series. Cost me $12. Includes Zombie Jesus vs Robot Hitler. |
That's all for now, folks!
Monday, August 13, 2012
Heavy T.O. 2012: Day 2
Posted by
Unknown
NOTE: This is a long ass post.
Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck.
Yesterday was so friggin' awesome.
Sunday's show put Saturday's to shame. In fact, it even put last year's entire festival to shame. I got into the grounds at around noon, coming in at the end of Rose Funeral's set. I had never listened to Rose Funeral before, but everyone I know who has tells me they're god awful. After seeing them live, I can safely say, they are god awful. Breakdowns were the name of Rose Funeral's game, with breakdowns happening at least two or three times per song. Since most of the crowd were at the West stage watching Rose Funeral, I made my way up close to the East stage, eagerly awaiting Origin.
Origin are the kings of technical death metal. Like, holy fuck do these guys play fast. Their new(est) vocalist, whose name escapes me right now had incredible stage presence, despite looking and saying that he was hungover as shit. The only song I remember by name that they played was "The Wrath of Vishnu". They had to shorten their set to about 4 or 5 songs because Rose Funeral thought it would be cool of them to play past their set time by 20 minutes. Nobody thinks you're cool, Rose Funeral.
After Origin finished ripping us new assholes, Fleshgod Apocalypse was ready to go on the West stage. I wasn't in a terribly good position to see them, but it wasn't too bad. I've been in worse spots at concerts. They played a ton of songs from their newest album, Agony, opening with "Temptation", "The Hypocrisy" and "The Egoism". They brought us back to their Mafia EP with "Thru our Scars" before swinging things to Agony again with "The Violation".
After "The Violation", there was a bit of a mix up. Since that is one of their most famous songs, everybody thought it was their closing tune, so people started to move back to the other stage for Exhumed, myself included. And when everybody got the East stage, Exhumed started playing... while Fleshgod was playing their next song. At this point I checked my phone for the time, and it was technically Exhumed's scheduled time to play, but I think timing got fucked up because of Rose Funeral. Fucking Rose Funeral. I guess the sound guy for the East stage thought it was Exhumed's turn, so instead of telling the sound guy at the West stage to cut off Fleshgod, he just thought "fuck it" and cranked Exhumed up way past what most people would call deafening. Fleshgod was still playing, but this guy didn't care. It was a glorious half hour of the loudest fucking grindcore I have ever heard. It was awesome.
After Exhumed, I stuck around the East side because The Faceless was the next band to hit that stage. Periphery played the West stage in the meantime, but I didn't really pay attention. Periphery was never really my thing. When The Faceless got on stage, everyone went nuts. I was right up at the front, which was my first time every really being so close to a performing band. They had with them their new vocalist (who is on their new album, Autotheism), and he really shined live. He was jumping around and going crazy while busting out some brutal growls and screams. I have to say I was really impressed by him. They played two songs off of their new album, "Deconsecrate" and "The Eidolon Reality".
This is where the day took a turn for the worse, but now that I look back on it, it doesn't really bother me. During The Faceless' set, some dude shoved his way right in front of me and decided to start moshing like a motherfucker. Me and this other guy standing next to me (the guys next to me was huge) tried to push this asshole back into the pit and in the process, the mosh-happy bastard kicked me in the face. Fuck if I know how it happened. My glasses flew off and I reeled back a bit, but I did manage to see the giant I was standing next to lift the guy in the air and literally throw him into the pit. This dude had air time. Luckily this was right as The Faceless finished their set, so once they were done, we went looking for my glasses. We found them under a dude's foot. I took a look at them and thought "fuck man, now I wont be able to see anything", but before I could do anything, my large friend tapped me on the shoulder and shouted "dude, you're fucking bleeding everywhere!". I didn't really feel any sort of cut (just shaken up by the blow), but when I put my hand to my face, all I felt was blood. I wiped off most of it with my shirt and held pressure against it, and ventured off to the first aid tent to get patched up.
That's when I realized, I have no god damn clue where the first aid tent is. I found a member of security and asked where the tent was and he pointed down to the Western side of the park and told me "right next to the washrooms". Alright, now we're in business! Or so I thought. I wandered around the Western half of the park, no first aid in sight, until I remembered that last year the first aid tent was near the entrance (which was on the East side of the park this year). So I made the long trek back to the Eastern side and found the first aid tent. By the time I reached there, I had held my shirt up against my wound long enough that the bleeding slowed down to a sort of oozing. This is also where I found out my cut wasn't a big cut, but a deep cut. I didn't know what kind of cut it was, just that it was bleeding. When I entered the first aid tent and asked them to look at my face, they told me "yeah, we'll get you a band-aid". I thought that was a joke and they'd do something more, but they literally handed me a band-aid and told me to scram. I managed to glance at myself in a mirror in the tent and I just saw a tiny little nick where I had been cut. They hadn't seen the bleeding, just the wound, so they thought it just needed a band-aid. Whatever. Fuck 'em. It mostly finished bleeding by then anyways. I put on the band-aid and went back out to enjoy the festival. (I managed to bend my glasses mostly back into shape. Nothing was actually broken, and the lenses weren't even scratched!)
Since I took so long to find the elusive first aid tent, I had already missed most of Goatwhore's set. Since the next two bands were Job for a Cowboy and Veil of Maya (VoM played this song as a closer), neither of which I'm a huge fan of, I decided to grab some lunch and check out some more merch tents. I picked up a wicked Cannibal Corpse shirt with the design of their first album, Eaten Back to Life on it. Classic death metal.
I checked the schedule for when Corpse was playing, and it turned out there were still a couple bands to go before them. I went for the East stage where they were going to show up, and waited through sets by Between the Buried and Me and Kataklysm. I wanted to be closer to Kataklysm, but I really wanted to have a decent spot for Cannibal Corpse, so I opted to stick around their stage. When Cannibal Corpse played their first note, the entire festival lost it. They played two songs off of their newest album, Torture. They opened with "Demented Aggression" and "Scourge of Iron", which made a nice contrast between blistering speed and brutal, slow crunching. They also blasted through some classics like "Priests of Sodom", "Disfigured", "Meat Hook Sodomy" and the tastefully titled "I Cum Blood". Corpsegrinder introduced "I Cum Blood" the way he always does. He screams, "This song is about shooting blood. This song. Is about. Shooting blood. Out. Of. Your. COOOOOOOOOOCK.". Super classy. As per usual, Corpse finished off their set with their most famous song, "Hammer Smashed Face".
After Cannibal Corpse decimated Heavy T.O., I stuck around the East stage for the rest of the evening. The only band left on the bill that I wanted to see was System of a Down, and god damnit, I would not miss System of a Down for the world. Killswitch Engage was next on the West stage, followed by Deftones on the East. I had never heard any of Deftones music before,and although I thought it was alright, I still enjoyed it because they really got into their performance and had amazing stage presence. After Deftones, Five Finger Death Punch took the West stage. I'm not a fan of Five Finger Death Punch, and apparently most of the crowd this year wasn't either. Everyone was waiting at the East stage for System, chanting "SYS-TEM! SYS-TEM! SYS-TEM!" pretty much through the entire second half of 5FDP's set.
Then, the clock struck 9. It was time for System of a Down. I have to be brutally honest. I had no idea what would happen. I saw Slayer at last year's Heavy T.O. and as soon as they started, half the festival turned into a pit. System made the entire fucking festival mosh, jump, and dance. It was pandemonium. It was chaos. I'm pretty sure if this happened anywhere other than an isolated field on the outskirts of Toronto, it would be called a full scaled riot. Honestly, most of System's set was a blur of screaming my lungs out with my hands raised in the air. They opened with "Prison Song", followed by "Soldier Side" and "B.Y.O.B.". The rest of their set was all their most famous songs (ie: all of their songs), but I totally forget the order. Choice songs include: "Aerials", "Forest", "Toxicity", "Dreaming", "Hypnotize", "Holy Mountains", "Bounce", "Chop Suey", "Lonely Day", "Needles", "Lost in Hollywood", "Psycho", and "Cigaro". SOAD finished strong with none other than their classic tune, "Sugar". The entire set was just perfect. It was played perfectly, it was sequenced perfectly, it was just, UGH. Fucking perfect.
That's all for now, folks! Blast off, it's party time! And where the fuck are you?!
Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck.
Yesterday was so friggin' awesome.
Sunday's show put Saturday's to shame. In fact, it even put last year's entire festival to shame. I got into the grounds at around noon, coming in at the end of Rose Funeral's set. I had never listened to Rose Funeral before, but everyone I know who has tells me they're god awful. After seeing them live, I can safely say, they are god awful. Breakdowns were the name of Rose Funeral's game, with breakdowns happening at least two or three times per song. Since most of the crowd were at the West stage watching Rose Funeral, I made my way up close to the East stage, eagerly awaiting Origin.
Origin are the kings of technical death metal. Like, holy fuck do these guys play fast. Their new(est) vocalist, whose name escapes me right now had incredible stage presence, despite looking and saying that he was hungover as shit. The only song I remember by name that they played was "The Wrath of Vishnu". They had to shorten their set to about 4 or 5 songs because Rose Funeral thought it would be cool of them to play past their set time by 20 minutes. Nobody thinks you're cool, Rose Funeral.
After Origin finished ripping us new assholes, Fleshgod Apocalypse was ready to go on the West stage. I wasn't in a terribly good position to see them, but it wasn't too bad. I've been in worse spots at concerts. They played a ton of songs from their newest album, Agony, opening with "Temptation", "The Hypocrisy" and "The Egoism". They brought us back to their Mafia EP with "Thru our Scars" before swinging things to Agony again with "The Violation".
After "The Violation", there was a bit of a mix up. Since that is one of their most famous songs, everybody thought it was their closing tune, so people started to move back to the other stage for Exhumed, myself included. And when everybody got the East stage, Exhumed started playing... while Fleshgod was playing their next song. At this point I checked my phone for the time, and it was technically Exhumed's scheduled time to play, but I think timing got fucked up because of Rose Funeral. Fucking Rose Funeral. I guess the sound guy for the East stage thought it was Exhumed's turn, so instead of telling the sound guy at the West stage to cut off Fleshgod, he just thought "fuck it" and cranked Exhumed up way past what most people would call deafening. Fleshgod was still playing, but this guy didn't care. It was a glorious half hour of the loudest fucking grindcore I have ever heard. It was awesome.
After Exhumed, I stuck around the East side because The Faceless was the next band to hit that stage. Periphery played the West stage in the meantime, but I didn't really pay attention. Periphery was never really my thing. When The Faceless got on stage, everyone went nuts. I was right up at the front, which was my first time every really being so close to a performing band. They had with them their new vocalist (who is on their new album, Autotheism), and he really shined live. He was jumping around and going crazy while busting out some brutal growls and screams. I have to say I was really impressed by him. They played two songs off of their new album, "Deconsecrate" and "The Eidolon Reality".
![]() |
| The Faceless ft. My Thumb. |
That's when I realized, I have no god damn clue where the first aid tent is. I found a member of security and asked where the tent was and he pointed down to the Western side of the park and told me "right next to the washrooms". Alright, now we're in business! Or so I thought. I wandered around the Western half of the park, no first aid in sight, until I remembered that last year the first aid tent was near the entrance (which was on the East side of the park this year). So I made the long trek back to the Eastern side and found the first aid tent. By the time I reached there, I had held my shirt up against my wound long enough that the bleeding slowed down to a sort of oozing. This is also where I found out my cut wasn't a big cut, but a deep cut. I didn't know what kind of cut it was, just that it was bleeding. When I entered the first aid tent and asked them to look at my face, they told me "yeah, we'll get you a band-aid". I thought that was a joke and they'd do something more, but they literally handed me a band-aid and told me to scram. I managed to glance at myself in a mirror in the tent and I just saw a tiny little nick where I had been cut. They hadn't seen the bleeding, just the wound, so they thought it just needed a band-aid. Whatever. Fuck 'em. It mostly finished bleeding by then anyways. I put on the band-aid and went back out to enjoy the festival. (I managed to bend my glasses mostly back into shape. Nothing was actually broken, and the lenses weren't even scratched!)
Since I took so long to find the elusive first aid tent, I had already missed most of Goatwhore's set. Since the next two bands were Job for a Cowboy and Veil of Maya (VoM played this song as a closer), neither of which I'm a huge fan of, I decided to grab some lunch and check out some more merch tents. I picked up a wicked Cannibal Corpse shirt with the design of their first album, Eaten Back to Life on it. Classic death metal.
I checked the schedule for when Corpse was playing, and it turned out there were still a couple bands to go before them. I went for the East stage where they were going to show up, and waited through sets by Between the Buried and Me and Kataklysm. I wanted to be closer to Kataklysm, but I really wanted to have a decent spot for Cannibal Corpse, so I opted to stick around their stage. When Cannibal Corpse played their first note, the entire festival lost it. They played two songs off of their newest album, Torture. They opened with "Demented Aggression" and "Scourge of Iron", which made a nice contrast between blistering speed and brutal, slow crunching. They also blasted through some classics like "Priests of Sodom", "Disfigured", "Meat Hook Sodomy" and the tastefully titled "I Cum Blood". Corpsegrinder introduced "I Cum Blood" the way he always does. He screams, "This song is about shooting blood. This song. Is about. Shooting blood. Out. Of. Your. COOOOOOOOOOCK.". Super classy. As per usual, Corpse finished off their set with their most famous song, "Hammer Smashed Face".
![]() |
| I said I wanted a decent spot. Not that I got one. |
![]() |
| Deftones, complete with DJ(?) |
That's all for now, folks! Blast off, it's party time! And where the fuck are you?!
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