Blastbeat Reviews: Bateman, Wings Denied, Botfly

Some more quick reviews -- this time for some lesser known bands. These bands have all just released their debut albums, so they haven't been on the scene for too long. Shall we?

BATEMAN - SMUT

Hailing from Melbourne, Australia, Bateman are a 5 piece hardcore band that dish out a simple and noisy hardcore drenched in sarcasm and misanthropy. Smut is their debut album, marking their first real foray in to the ever growing and ever evolving Australian hardcore scene. The album is chocked full of slammin' riffs and catchy songs, but doesn't really come out above the many other noisy hardcore and grindcore bands coming out from down under.

Their weakest link in my eyes is their vocalist who can belt out some great growls and some really wicked, gargling highs, but decides to sound like an angry pirate through 75% of the album. I thought it would be something I'd get used to after multiple repeat listens but even now, a month after first hearing it, it's as jarring as I originally found it. Smut is worth a listen to for fans of the Australian hardcore scene, but unless Bateman step their game up for their next release, I doubt I'd keep up to date with their goings-on. Visit them on Facebook and Bandcamp. Overall Score: 2.5/5

WINGS DENIED - MIRRORS FOR A PRINCE

Wings Denied proves to be the first progressive metal preview I've done since November of last year. I grew out of prog metal a couple years ago and have kept a fair distance away from most progressive metal bands (save for Meshuggah) that think the rhythmic chugging of the lowest string of their guitars makes music. Wings Denied's debut comes in as a cross between the djenty Periphery and the grandiose Protest the Hero. Contrary to Bateman's Smut, Mirrors for a Prince benefits from a pretty solid vocalist. I find his growling and screaming a bit lacking, but his clean singing is top-notch.

The instrumentation on this album is nothing to scoff at, but really doesn't grab me or prove to me that I should be listening to Mirrors for a Prince instead of Volition or Traced in Air. That being said, overall I enjoyed this album, and I'm interested to see where they'll take their sound. I see Wings Denied on the cusp of becoming a band I could seriously care about, but I'm going to need some convincing. Check 'em on Facebook and Bandcamp. Overall Score: 3/5

BOTFLY - PARASITIC OSCILLATION

Another band in a big hardcore scene, but this time we've got a familiar name. Keegan Goodspeed of bluebird and The Wides has been keeping himself busy with another hardcore band, this time taking a heavier and more aggressive route with his project Botfly. Parasitic Oscillation is the band's debut release (after a single song release in 2013), and comes across as dark, frustrated, and melancholic. There's an almost psychedelic vibe to the tunes as different riffs slither their ways around, going from droning crunchy guitars to full blown high gain riffage. The last song on the album "days late" is one hell of a closer, without a distorted guitar in sight, but Goodspeed screaming bloody murder overtop. It's something that seems odd written out, but it grabs your attention right away and makes sure you're paying attention as the last chords fade out on the album.

Keegan takes up the mic here as wall as guitar duties, and dishes out some '80s style hardcore vocals that border on crust punk sounding. I'd be willing to bet Botfly was inspired by bands like Amebix, Discharge, and Nausea as well as some darker indie rock bands. I'm really digging on Parasitic Oscillation, and I really want to hear Botfly with some better production. The rawness and grittiness of this album definitely adds character, but when there are big crescendos and dynamics in the songs, I think some thicker, clearer, and heavier production will do them wonders. As far as I know, Botfly do not have a Facebook page, but you can check out Parasitic Oscillation and any of their other releases on their Bandcamp page. Overall Score: 3.5/5

That's all for now, folks!

-DG

Blastbeat Review: Haiduk, Husk, and OFF!

I'm in the thick of exams season over here, but who needs studying when you've got shit to review?

HAIDUK - SPELLBOOK

Right from the get-go, Spellbook captivates me. It starts off firing on all cylinders, and doesn't stop or tone down until the last note abruptly brings this monster to a halt. Haiduk (or The Haiduks according to iTunes) shreds out some Behemoth-esque blackened death metal, all written and performed by vocalist-guitarist Luka Milojika. The drums, despite being programmed are produced really well, and despite the speed of Milojika's work, don't suffer from sounding too fake a la Agrophobic Nosebleed. There are a couple instances of mediocre drum sounds (usually cymbals when played fast), but for the most part, everything sounds great. This is a must-listen for anybody who digs blisteringly fast extreme music. The songs themselves are over quicker than you can blink, the longest clocking in at just over four minutes, and the shortest coming in at just over two.

Also, Haiduk is Canadian! I love hearing great bands come from the Canadian extreme metal scene. It just tickles my pickle to see bands from the Great White North contribute to the international underground metal scene. You can check out Haiduk on Facebook, and hear some songs of his on YouTube. Overall Score: 3.5/5

HUSK - HYMNS

Husk is a new addition to the giant list of noisy, sludgey hardcore bands that have been cropping up recently. The guitars and bass are heavy as fuck, and everything either goes a snail's pace with crushing riffs, or shoots off at terminal velocity, zig-zagging its way around like a Converge riff. The one thing Hymns has going for it that separates it from the masses of Code Orange Kidses and Loma Prietas out there is the old school black metal-esque vocals shrieked throughout.

I honestly love noisy, sludgey, heavy as hell hardcore and Converge worship, but Husk doesn't really give me any great reasons to listen to them instead of just tossing on some Secret or Botch. I'm interested to see where Husk will go, but unless they start stepping up their game, they'll soon lose my ear. Check 'em out on Facebook and Bandcamp. Hymns is out April 10th. on Art As Catharsis Records. Score: 2.5/5

OFF! - WASTED YEARS

OFF! recently got my attention when I heard their debut First Four EPs, where they dished out SoCal hardcore punk like it's 1982 again. Keith Morris (of Black Flag and Circle Jerks fame) is as pissed as ever, and he's got the music to back it. Wasted Years was recorded on tape and while it has that awesome rawness to it, it still sounds great. It sounds like 80's hardcore in 2014, and I love it. I'd put on anything OFF! have released over Wild in the Streets or Group Sex any day. Don't get me wrong, those are both great albums and I love Keith Morris jams old or new, but to hear hardcore veterans with a modern edge is something I've been hoping for for a long time.

Wasted Years dishes out straight and to the point tracks, with all but one running under two minutes. To quote another review: They rock. They're energetic. Keith Morris is angry. Find OFF! on Facebook, and stream Wasted Years on the New York Times (!?) site. Score: 4/5

That's all for now, folks!

-DG

Blastbeat Reviews: Hammerdrone, Maze of Terror

Usual spiel: school's been eating up all my time, I've promised a bunch of reviews, so here are some quick ones for you. 

HAMMERDRONE - CLONE OF EUROPA

Y'all remember Hammerdrone, right? Those Canadian boys riffing out some good old fashioned death metal with heavy melodeath and blackened death influences? Well, they're back with a new full length to tear your faces off. These guys still rock their heavy Behemoth and Goatwhore influences from before, but on Clone of Europa they're bringing in some Gothenburg melodic death metal sounds into the fray as well.

In pretty much every way, Clone of Europa is a giant step ahead of A Demon Rising. The musicianship is tighter, the production is heavy as fuck, and the songs flow better, showing some serious soundscaping and atmosphere building abilities on the band's part. If you're into death metal or melodic death metal at all, I can't recommend Clone of Europa enough. Check it out on Bandcamp here, and visit them on the Facetubes here. Overall Score: 4/5.

MAZE OF TERROR - SKULL CRUSHER EP

Maze of Terror hail from Lima, Peru and play thrash fucking metal. No, not thrash metal. Thrash. Fucking. Metal. These guys are relatively new on the scene having only formed in 2011, but they're firing on all cylinders on their first release. They've got their own style of old school Bay Area thrash mixed with the neo-thrash movement started with bands like Toxic Holocaust and Warbringer, with just a hint of European thrash sprinkled on top. The result is some heavy, fast, and vicious thrash metal that can appease any headbanger. Skull Crusher reminds me heavily of Needs More Noise Gate favorites Termination Force and Zafakon, and as I wrote that sentence all I can think about about is how freaking wicked it would be to have a Termination Force, Zafakon and Maze of Terror tour, but I digress. Maze of Terror kicks all kinds of ass, and you should listen to Skull Crusher right now. You can check them out on Facebook, and listen to some of this EP on Youtube. Score 4/5

That's all for now, folks!

-DG