Gupta's Best of 2014 So Far

It's October, and you know what that means: we're halfway through the year! No, wait. That isn't right. This is just fluff text because I can't think of a joke to make light of the fact that my Best of 2014 So Far list is coming in 4 months late. Punchline.

List time! In no particular order:

Mastodon - Once More 'Round the Sun

The 'Don is back! Their twerktastic new album is exactly what I hoped The Hunter would be. 'Round the Sun sounds like the natural extension of Crack the Skye, toning down the proggy breakouts and stepping up the addictive hooks and psychedelic spaciness.

Brann Dailor takes up majority of the vocal duties on this album, which is great because he's stepped up his singing game tenfold since The Hunter. While I don't consider 'Round the Sun to be better than Crack the Skye, Mastodon have definitely put out one of their best albums to date. Listen: The Motherload

Iron Reagan - The Tyranny of Will

For those of you who don't know, Iron Reagan is a hardcore supergroup featuring members of Municipal Waste, Darkest Hour and Mammoth Grinder. Ultimately, this is Municipal Waste with more of a punk sound and politically heavy lyricism, but just because they're more serious, doesn't mean they aren't as much fun. Listen: Miserable Failure

'68 - In Humor and Sadness

Rising immediately out of the ashes of The Chariot, Josh Scogin has paired up with drummer Michael McClellan (of no fame whatsoever) to drop some of the noisiest rock music of the year. The whole founding of the band was based on being the loudest duo, and considering Scogin's live set-up has him running through two guitar rigs and a bass rig, I think they've accomplished that stunningly.

Don't expect this to sound a lick like The Chariot, though. Black Keys meets Black Flag is the name of this album's game. Listen: Three Is A Crowd

Body Count - Manslaughter

First off, I non-ironically love Body Count. Ice-T may seem like the least likely frontman for a hardcore group, but between his time in this band and his outstanding performance in Leprechaun 5: In Da Hood, he's quickly become one of my favorite celebrities.

Manslaughter is exactly what you'd expect for Body Count in 2014. Caveman riffs, d-beats, and Ice yelling about murdering people in horrific ways. This album does take an uplifting turn, surprisingly, with songs like "Back to Rehab", and "Get a Job", and their covers of "99 Problems" and "Institutionalized" are A+. Listen: Talk Shit, Get Shot

Electric Wizard - Time to Die

The Wizard returns with the newest offering of hazy, fuzz filled, crushing doom. This time, things take a turn for the psychedelic with Jus, Liz and crew working with layers and layers of effect-ridden guitar tracks rather than simple, lumbering leviathan riffs. The end result is the same: your speakers will give you a contact high, and your walls will be shaking from the sheer heaviness of the sound.

Legalize drugs and murder. Listen: I Am Nothing

Gridlink - Longhena

 In my typical fashion, I'm going to quote myself because I'm lazy:

Longhena sets the bar to an impossibly high level for any band that plays this strain of grindcore. Chang's banshee vocals, Matsubara's rhythm playing that somehow fits under the category of "shred guitar" (not to mention his actual lead playing), Fajardo's accompanying drumming, the string sections, the interlude track, holy shit people, everything fits so nicely together that I honestly cannot find a weak point to this album. It even comes with a set of "karaoke versions" of the tracks for those of you who hate Jon Chang. Listen: Look To Windward

Earth - Primitive and Deadly

Dylan Carlson and co. have always had hit-or-miss releases as far as I'm concerned. While I love albums like The Bees Made Honey in the Lion's Skull and Hex; Or Printing in the Infernal Method, their earlier drone material and their latest bland offerings don't quite enthrall me in the same capacity.

Primitive and Deadly seems to take a page out of Earth 2's heaviness, mix it with some of their mid-career cowboy riffage, and introduce some great guest vocals for an album that stirs up images of lonely foggy nights and smokey dive bars. Listen: From The Zodiacal Light



So there you have it. These albums have stood out to me so far this year, and I'm sure there'll be a couple of more albums to add to the list by year's end. God knows how pumped I am for the new At The Gates and Run The Jewels records; I'm certain both will end up on my big list.

What do you guys think? Do you like the albums I chose, or do you think my taste in music is utter shit (more likely the latter)? What were your favorite albums this year so far? Let us know in the comments or on Facebook!

That's all for now, folks. Jeremy, I'll see you whenever.

-DG

Gupta's Top 10 Albums of 2013

List time, list time, list time. It's list time for all the bloggers and actual music critics of the world. And while I don't particularly like lists for their ability to only capture a snapshot of my tastes and opinions, I think they serve a great purpose of bringing great artists and albums into the spotlight, letting people check them out if they normally wouldn't have. This year's music was super exciting for me. A bunch of my favorite bands released albums this year, I discovered a bunch of new artists, and even grew to like a few new genres of music.

For the first time, I'll include a short list of of my honorable mentions for the top 10 list. These albums were freaking sweet, but didn't end up cutting it when it came to fitting into those ten coveted spots. Here are the honorable mentions, in no particular order:

• Yattai - Fast Music Means Love (Grindcore)
• Ghostface Killah - 12 Reasons to Die (Hip-Hop)
• Clutch - Earth Rocker (Rock)
• Hatebreed - The Divinity of Purpose (Hardcore)
• The Ocean - Pelagial (Sludge/ Progressive Metal)
• Gorguts - Coloured Sands (Technical Death Metal)

Enough lollygagging now, here's my top 10 releases from this year!

                                                        #10: Rotten Sound - Species at War

Who doesn't love these Finn grinders? Stepping up the intensity and heaviness from their last release, Cursed (as if we thought that was even possible), Rotten Sound blow minds and speakers with this non-stop grind assault. This release is an EP, not a studio album, but I don't give a shit, it's amazing, so it's going on the list. There isn't much to say about this one. If you dig grindcore, pick this bad boy up.

Listen: Peace

#9: David Maxim Micic - Bilo 3.0

I'm going to copy and paste part of my review here because I'm a lazy asshole.

Bilo 3.0 is the most adventurous of his releases so far. There's still djenty goodness hidden deep in this album, but it's covered in layers and layers of orchestration, choirs, jazz fusion, and a gajillion guest vocalists. David Maxim Micic flexes his song-writing muscles here, and while he's a phenomenal guitarist, I really think his composition skills are streets ahead of his djenty peers.

Listen: The entire thing

#8: Daft Punk - Random Access Memories

This album rounded out my Top 10 Albums of 2013 (So Far) list, and have moved up a few positions for the year end one. Fat beats, dancey grooves, and non-stop 70s worship makeup the meat of this album, and I love it. From club singles to love songs, to instrumental moog synth jams, this album covers a wide breadth of emotions and styles, while still being a consistently fun listen all the way through, every time.

Listen: Lose Yourself to Dance

#7: Weekend Nachos - Still

I'm going to go back to a familiar old equation.

New Weekend Nachos = You're Moshing

Listen: Satan Sucker

#6: Carcass - Surgical Steel

It's been over 15 years since grindcore/ melodic death metal titans and pioneers Carcass have released an album. When I first got wind of Surgical Steel coming out this year, I was really, really skeptical. I thought it was nothing more than a quick cash grab by a bunch of old over-the-hill Brits, but man, was I wrong. Surgical Steel is like Heartwork 2.0 for me. It's uncompromising melodic death metal, and it's 100% authentic Carcass.

Listen: Captive Bolt Pistol

#5: Corsair - Corsair

When I reviewed this album way back in January, I thought it was going to be my album of the year. Midway through the year, Dillinger Escape Plan's One of Us is the Killer bumped this album down to second place. Now poor Corsair has been bumped down to 5th place. Don't get me wrong, I still love this album, but I've noticed I haven't been playing it as much as I used to. It might have moved to my backburner, but it's still a sweet slab of prog rock/ metal. Maybe I'll end up rekindling my love of this album in the coming months.

Listen: Gryphon Wing

#4: Nails - Abandon All Life

This album is an absolute leviathan of an album packed into less than 18 minutes worth of music. You might not think an album that's shorter than an episode of South Park could offer that much, but I'm here to tell you that Abandon All Life offers the one and only thing you need from a Nails record: pure violence. This album is the musical equivalent to beating an entire pub's worth of people to death with your fists.

Listen: The entire thing

#3: Protest the Hero - Volition

This album really blindsided me, because I've never really been a fan of Protest the Hero. I thought their music was just unsolicited wankery, but despite being incredibly technical, Volition plays like a pop album. It's catchy, it's upbeat, and it's tons of fun to toss on and jam out to. I might be a little biased against them, but I think this album is definitely their best work yet.

Listen: Clarity

#2: The Dillinger Escape Plan - One of Us is the Killer

This was my number one pick halfway through the year. Dillinger have quickly become one of my favorite bands, and One of Us is the Killer one of my favorite albums of all time.

The album is a perfect blend of their earlier spastic music with their more modern, easy-to-digest stylings. It really comes out in songs as crazy as "When I lost My Bet" and in songs as catchy as the title track, and how they sound totally different, but flow consistently in the album.

Listen: Prancer



#1: Run the Jewels - Run the Jewels

I really dig a fair share of hip-hop, but I never thought an album in that genre would top any of my year end lists. I'm surprised I haven't actually written a review for this album, but it makes no difference. This album rules. Hard. El-P blends old school boom-bap and modern sci-fi/ electronic styles to make some unforgettable tracks on Run the Jewels. The killer production is matched perfectly with El and Killer Mike bouncing off each other from verse to verse all the way through the album. Lyrically, the album spends most of it's time shouting out brags or listing of a plethora of ways El-P and Killer Mike can beat the shit out of you. There are some socially conscious lyrics sprinkled here and there throughout the album, but they take a back seat to their more violent siblings. This can be a deterrent for people who care a lot about lyrics, but fortunately, I am not one of them.

This list throws away all the scores I've given albums during the year, and doesn't take into account how boundary breaking certain albums are, or how far they push the musical envelope. The slots in this list get filled based on one criteria, and that's how much enjoyment I got out of the album. I can't deny the fact that I've been listening to this album at least one a day since I first heard it. So despite how much people might bitch about not including album X or artist Y on my list, I really fucking loved Run the Jewels, and I wholeheartedly think it deserves the number one spot on my list. Fight me.

Listen: 36" Chain

That's my list for 2013! As per usual, once this list is published, I'll find another album that I feel can boot off some of these from my list. What have been your favorite albums of 2013? Let me know, either down in the comments or on Facebook!

That's all for now, folks! Merry Winter Christmukkahmadanstivus!

-DG

Gupta's Top 10 Albums of 2013 (So Far)

Well, it's that time of year again. Well, not that time of year, but, y'know... that time of year. Not like that time of year, but like that...

It's halfway through the year, is what I'm saying. Christ, do I have to spoon-feed you everything?

#10: Daft Punk - Random Access Memories

The french duo dropped an album this year that serves as both a doozy and a complete curveball to their listeners. Random Access Memories is less of a bumpin' and bangin' house record, and more of a 70s funk rock  danceapollooza. It's got booty-shaking grooves, arm swaying synth, and tons of hooks that just seep into your brain and don't leave until your body is involuntarily shutting down from dancing so much.

#9: Hatebreed - The Divinity of Purpose

Gang vocals. Caveman riffs. Jamey Jasta yelling so hard about believing in yourself that you can feel his wiggerish arm movements guiding your bench presses, curls, and power squats through your earbuds at the gym. In short, it's a Hatebreed record, and I love it.

#8: Yattai - Fast Music Means Love

This is the band that kicked off my connections in the French grind and hardcore scene. These dudes have hooked me up with tons of sick bands and some great opportunities for the blog. But this isn't LinkedIn. This is a music blog. Yattai grind hard, and grind fast. Hard as nails riffs, gut churning vocals, and blistering drums make these 16 tracks hit you like a fully loaded semi. A must listen for grindheads.

#7: Clutch - Earth Rocker

Y'all know how much I love Clutch. This band can make anyone shake their booty with their huge grooves and pounding rhythms. Earth Rocker continues Clutch's straightforward American blues rock approach, and is definitely one of the most energetic and fastest paced albums they've put out. It'll have you boogying and singing into the night.

#6: Ghostface Killah & Adrian Younge - 12 Reasons to Die

Awwww, yisss. Ghostface is back. Pairing up with multi-instrumentalist Adrian Younge, 12 Reasons to Die showcases an awesome supernatural mobster/ revenge story over top of some simplistic but effective production. Blending together some new and old styles of hip-hop make this album fresh to listen to over and over again.

#5: Rotten Sound - Species at War EP

Yeah, I know. It ain't a full length album. Whatever, call the police, I don't give a fuck. Species at War is the next logical step for Rotten Sound take after 2011's Cursed. What I mean by that is, they just re-released a shorted version of Cursed.

Oh, yeah. Also, it's about 10 times heavier. Aural decimation at it's finest.

#4: Nails - Abandon All Life

Nails' debut album, Unsilent Death. It was a quick, devastating blow to your ears of top-notch grind/ powerviolence/ hardcore. Abandon All Life shows Nails expanding on that sound with some longer, bonecrushing tracks alongside the usual blisteringly fast songs. Nails coupled up with Converge's Kurt Ballou, and holy shit, has Kurt turned this album into a fucking beast. Definitely one of the heaviest things I've heard in a long time.
I freakin' loved

#3: El-P & Killer Mike - Run the Jewels

Dang. Last year, both El-P and Killer Mike dropped freaking sweet albums, and while they've been working together for a while (El produced Mike's R.A.P. Music), it's been a while since they released an album together properly. Jewels showcases El's subwoofer-bumping beats and both dudes' impeccable flow and unfuckwithable lyricism, all wrapped up into one quick banger of an album.

#2: Corsair - Corsair

When I reviewed this album, I gave it a score of 5 out of 5. I said it was going to be album of the year. I was almost right. While Corsair is a freaking amazing slab of 70s-prog-meets-80s-NWoBHM, it did get out-shadowed. I'll talk about that in a second, though. To really understand how much I loved this album, I think you should just read my review. There isn't anything more to say than that, really.

#1: The Dillinger Escape Plan - One of Us is the Killer

If this isn't your #1 album of 2013, I'm not sure if we can be friends anymore. One of Us is the Killer proves that Dillinger cannot make bad music. It's just not possible. Ben Weinman could have just whipped his dick out and slapped it against his guitar for 45 minutes while Greg Puciato rolled around on top of a bed of microphones, but it would still come out as some of the best music around. This album is completely mindblowing, and while the music and production are stellar as always, the thing I like more on Killer than any other Dillinger album is, is the pacing. Soft songs and melodic sections fly by and interrupt the usual cacophonous and face melting  Dillinger sound, making for a album that I could listen to front to back nonstop for days.

Looks like 2013 is shaping up to be a pretty awesome year! What are your favorite albums of the year so far? Let me know in the comments or on Facebook!

That's all for now, folks! Only 34 more days until I get to see Dillinger wreck shit live. Hnnnnnggggggghhh.

-DG

The Best of 2012: Where are they Now?

I always found writing music reviews to be a funny subject. They're really only a snapshot of how much I enjoy the album in question at that time, and really aren't a solid representation of the lasting merits of the music. There are tons of albums, bands, and hell, even entire genres of music that I once hated, but learned to love or vice versa. My musical tastes and preferences are always shifting around, slithering and sliding through different phases and branching out into different genres and styles.

Because of the dynamic nature of my tastes, I really feel like piecing together my Best of 2012 list is something done in vain, because I really don't feel the same way about those same albums now. Some albums take a little while to get old and repetitive, while others grow on me more and more as time goes on. Here's a few of the albums I've looked at last year, and how I feel about them now.

Foxy Shazam - The Church of Rock and Roll

This album didn't age too well over the months since I first heard it. I found that it kind of broke down into two components, much like a mixture of oil and water where the lead single of the album is really the only track that has a lasting impression on me, rising above all of the filler content.

"I Like It" is a fucking amazing track. It's groovy, it's fun, and you can't not dance listening to it. Sure, it isn't the classiest or most politically correct song ever written, but if you toss it on, I'll be screaming along and air guitaring the entire time. I kind of wish the rest of the album had this kind of staying power, but most of the other songs kind of fall to the background because of their lack of reckless energy. I fell in love with Foxy Shazam through their self-titled album, a no holds barred slab of Queen worship, filled with arena rock anthem after arena rock anthem. They're a band known to be a bottomless pit of over-the-top intensity, not giving a flying fuck about what anyone else thought. They were supposed to be The Casualties meets Queen, but The Church of Rock and Roll really feels like a half-assed attempt at just that.

Converge - All We Love We Leave Behind

 This was my number one album of last year. I crowned All We Love We Leave Behind as the best piece of music of 2012. I know what you're thinking, you're expecting me to regret giving this album such a title. You're expecting me to say how much I hate this album now, but the joke's on you. I still freaking love this album. Not only that, but Converge kicked off my love of hardcore, deepened my love of grindcore, and catalyzed my love of powerviolence, and every other kind of noisy, chaotic, make-your-ears-bleed shit I listen to now.

I honestly believe jumping down this hardcore rabbit hole has made me a better person since last year, and as I dig deeper through all the local and underground scenes I've found this music and culture to make me a more motivated, open-minded, easy-going, humble, and generally happier person. So while my position on All We Love We Leave Behind's musical content hasn't changed, this album's emotional force has proven to be much more powerful than I ever thought before.

Jason James & Rodney Hazard - Pyramids in Stereo

Maybe you remember my review of this album, and maybe you don't. Essentially, it boiled down to the fact that this was the album that should have shown up on my Best of 2012 list, and it didn't only because I listened to it after I had published my list. The reason Pyramids is on this list because three months later, I still firmly believe it's one of 2012's best. I jam this album easily two or three times a week, and I kick myself in the ass daily for not having listened to it earlier last year.

I consider it one of my favorite hip-hop albums (just behind Childish Gambino's Camp, Wu-Tang Clan's 36 Chambers, and Kanye West's My Beautiful Dark Twisted Fantasy), and ever since discovering Jason James' weekly column for RefinedHype called This Is My Rifle, I only find that I dig it more and more.

So there you go, some of what I called 2012's best, and where I stand on them now. Are there any albums in 2012 that you feel totally different about now? How about albums that have taken on new meanings since you first heard them? Let me know, I'd love to hear it!

That's all for now, folks!

-Grave Dave

Gupta's Top 10 Albums of 2012

Well, here we are. The end of 2012. I think I've listened to more music this year than I ever have in the rest of my life. I've expanded my tastes a lot, tried tons of new and different styles and genres, and I like to think that all of this has made me a better person today than I was on January 1st, 2012. I'll save all the sappy stuff for later, so without further ado, here are my top 10 albums of 2012. For once, this list is actually in ascending order of favorites.

#10: Foxy Shazam - The Church of Rock and Roll

What can I say? Foxy Shazam hit hard this year with great rock anthems that sound equally at home in a sold out arena as well as in a sold out small, dingy, intimate venue. Definitely a throwback to bands like Queen, Foxy Shazam definitely crank out one of the most fun and addictive albums this year.

Listen:  I Like It

#9: Death Grips - The Money Store

This album. This. Album. Despite only having access to it for less than a year, now it's definitely become one of my favorite rap albums, ever. It's challenging, progressive, and noisy, but despite all of the experimental sounds and beats, songs can't help but to get stuck in your head. Hip-hop, trip-hop, experimental avant-garde progressive post-rap: call it what you will, Death Grips delivers a sonic experience quite unlike anything else.

Listen: The Fever (Aye Aye)

#8: Rush - Clockwork Angels

Rush dropped their 20th album this year, and by god, isn't it just something. Sounding somewhat like a return to form to their hard-hitting prog rock from their pre-synth rock days, Clockwork Angels tells a magnificent and world-spanning story, and the music definitely fits the bombastic and grandiose setting. This is definitely my favorite Rush album since 1981's Moving Pictures. Review here.

Listen: Headlong Flight

#7: Napalm Death - Utilitarian

Considering 2012 was the year I was introduced, learned to tolerate, and then learned to love grindcore with all of my blackened, icy heart, it only makes sense that grind godfathers and  extreme music heavyweights Napalm Death make this list. Politically charged and ready to maul your face off, Utilitarian is a tidal wave of distorted guitars, blaring drums and barked vocals. Not for the faint of heart. Review here.

Listen: Errors in the Signals

#6: BadBadNotGood - BBNG2

A genre like jazzy instrumental hip-hop sounds like a weird idea at first glance, but trust me, it works. Canadians (woo!) BadBadNotGood dish out a ton of different sounds, tones, and feelings on BBNG2, all of which are loved by this guy right here.

Listen: UWM (Feat. Leland Whitty)

#5: Diablo Swing Orchestra - Pandora's Piñata

Blends of jazz and metal have been around since about 1993, when Cynic released their amazing debut Focus, but since then, metal has really only taken cues from the technical and avant-garde side of the genre. DSO swings over to the other end of the spectrum and plays, well... swing jazz. Perfectly moshable as it is danceable, Pandora's Piñata is easily one of the most refreshing releases this year. Review here.

Listen: Voodoo Mon Amour

#4: Twelve Foot Ninja - Silent Machine

Speaking of refreshing releases, Silent Machine is not only refreshing, but innovative as well. Mixing nu-metal, djent, funk, latin fusion and reggae? That kind of stunt was unheard of before this. Maybe a comedy musician like Weird Al would've attempted it, but I assure you, Twelve Foot Ninja not only attempts it, but shows you it can be done well. I still have no idea how I found out about this band, but all I know is that I'm glad I did. Review here.

Listen: Coming for You

#3: Dawnbringer - Into the Lair of the Sun God

Old school heavy metal (a la Iron Maiden) meets modern day vest metal (a la Valient Thorr) in sound with a scope the size of a 70s prog rock epic (a la 2112-era Rush). No uber-technical playing, no blistering speed and aggression, just nine perfectly executed tracks. Sun God is something you can just toss on to headbang and air guitar to, but the fist-pumping metal is simply a medium for an incredibly intricate story to be told. Review here.

Listen: I

#2: Pig Destroyer - Book Burner

"This then, this is libel, slander, deformation of character. This is a prolonged insult, a gob of spit in the face of art. A kick in the pants to God, man, destiny, time, love, beauty, what you will. I'm going to sing for you. A little off key perhaps, but I will sing. I will sing while you croak. I will dance on your dirty corpse."

Review here.

Listen: Burning Palm

#1: Converge - All We Love We Leave Behind

Atop the pedestal titled "Best Album of 2012" stands Converge. All We Love We Leave Behind just hit all the right spots for me. It was chaotic, challenging, extreme, emotional, melodic and everything else in between. Listening to this album is like feeling every emotion ever, at the same time. It's a giant whirlwind of love, hate, despair, and empowerment. It's a complete sensory overload; a feast for those who love to feel. My raving review can be found here.

So that's it. My top 10 favorite albums from 2012. I guarantee that now that this list has been published, I guarantee I'll find like, a shit ton of albums that I think are way better than every single album on this list. Whatever. That's the way the music reviewing world works. What were your favorite albums of 2012? Let me know down in the comments section or on Facebook. I'm really interested to see what everyone else has been listening to this year!

That's all for now, folks! Happy politically correct non-denominational December holidays!

-DG

Top 10 Albums of 2012 (So Far)

This is my last re-post of my Tumblr reviews. New content from here on in, folks.

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It seems to be a bit of a trend now to make a Top 10 list halfway through the year, so I'm jumping on the bandwagon today! The first half of 2012 has been an absolutely killer for music I think, and I expect the second half to keep rolling with this much momentum. For my Top 10 lists, ratings go out the window, and I rank albums on purely how much I love to come back and keep listening/ enjoying them. So, enough bullshit, here's my Top 10!

#10: Accept - "Stalingrad"

Accept haven't just come back, they're here to stay. Two years ago they released Blood of the Nations, which just took everyone by surprise with how well it was done. Accept show here that they're back in it for keeps, with Stalingrad pumping out even more revitalized energy and awesome heavy metal anthems.

#9: Municipal Waste - "The Fatal Feast"

The Waste have crafted another monster crossover thrash album worthy of the most patch-covered demin vests and the cheapest of shitty lagers.

#8: Woods of Ypres - "Woods 5: Grey Skies and Electric Lights"

After winning me over with Woods IV, Woods of Ypres have really knocked the ball out of the park here in terms of songwriting and atmosphere. A beautiful swan song for David Gold, Rest In Peace.

Ontario black and doom metal. Represent.

#7: Dying Fetus - "Reign Supreme"

DYING FUCKING FETUS.

#6: Rush - "Clockwork Angels"

Rush once again show us how progressive rock should be played. Their best album in a long time, in my opinion. Glad to have you back, boys.

#5: Foxy Shazam - "The Church of Rock and Roll"

Pushing themselves further from the punk/ hardcore scene and more into pop rock, Foxy Shazam really make a versatile and fun record. One day, Foxy Shazam will become the biggest band in the world.

#4: Dawnbringer - Into the Lair of the Sun God

Something that came totally out of left field for me, I've probably listened to bits and pieces of this album every day since I first heard it. One of the better NWoBHM revivalist acts.

#3: 3 Inches of Blood - "Long Live Heavy Metal"

3IoB dropped the hardcore vocalist, and replaced with with (even more) cheese. 80s styled NWoBHM and speed metal done with a modern flair. Current holder of "Most Fun Album of 2012" for me.

#2: Diablo Swing Orchestra - "Pandora's Piñata

This is another album that came out of nowhere. I saw it won May 2012's "Record o' the Month" on AngryMetalGuy and checked it out. I was convinced that no matter how much I loved it when I heard it, it would eventually fade away, but so far, it has consistently remained on my daily playlists. Great album.

#1: Eluveitie - "Helvetios"

Anyone who knows me knows I love this band way too much. After Everything Remains as it Never Was dropped in 2010, I had no idea how they'd top it. Well, they did. This album just stands head and shoulders above the other releases on here. Beautiful music.

And I've got a few albums that I haven't listened to yet (either not released yet or I just haven't gotten around to listening to them) that I'm really excited for. In no particular order:

• Baroness - "Yellow & Green"
• Ihsahn - "Eremita"
• Om - "Advaitic Songs"
• Testament - "Dark Roots of the Earth"
• Dust Sculptures - "Nostalgia"
• Ensiferum - "Unsung Heroes"

Here's to looking forward to the next half of the year!